Empathizing with the Creative Dynamic in Dreams
To Innovate in Artistic Methodology

with Henry Reed, Ph.D.
Chestnut Creek School of the Arts
Galax, Virginia
March 17, 2018 1-5PM
Art Materials Provided.
Just bring yourself, an example of your art, and a dream*
* There's no need to bring a special dream, or a dream that relates to your artwork. A recent dream will do quite well. For assistance with remembering a dream, see below:
A simple questionnaire will help you gain insight into your dream recall habits (or lack thereof): CLICK HERE!
An essay on the Art of Remembering Dreams may inspire you: CLICK HERE!
You can view some of Henry's Watercolors on his Facebook page
(go to photos, then albums)

    

Drawing by Mayan Artist Elizier Canul after discussing his dreams with Henry (seen on bicycle) at Chichen Itza, Yucatan
Click on picture to see interview with Henry on his dreams and art
Dreams and art have in common their inherent creativity. Dreams have often 
provided the content for art. What is less known is that dreams can provide 
inspiration regarding the artistic method, guiding the artist to grow and 
innovate the technology behind the art production. This 4 hour workshop, 
designed for professional artists and others vitally committed to aesthetic 
creativity, will provide participants with hands-on experience in relating to 
dreams, not as psychological profiles, but as metaphoric stories with possible 
implications for the artist’s methodology. 
This workshop will include a presentation of Henry’s own artwork from dreams, as 
well as exercises for the participants to begin to explore how it is possible to 
link dreams with art methods. The workshop is intended as a preview for a 
possible longer term class, in which each artist will receive individual 
attention and guidance in working from dreams. Artists of any modality 
whatsoever are eligible. During the half day workshop, we will restrict 
ourselves, for convenience, to marks on paper, and the material will be 
provided. Participants will each bring some sample, or other means, to 
demonstrate their particular area of artistic exploration.
The instructor, Henry Reed, Ph.D., is a research psychologist specializing in 
the experimental psychodynamics of creativity. He personally learned how to use 
watercolors from a series of dreams. You can see much of his work on his 
Facebook page (Henry Reed—click on photos, visit several albums). He has 
presented his dream related approach to art at the Virginia Beach Center for the 
Arts and at the William King Center for the Arts in Abingdon.