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involve more people than just
the dreamer with the
dream?" At one level or another, each
article seems to
bear on these questions.
The article, "Sharing and Working
on Dreams," should
be helpful to those of you in a dream group.
"Art in the
Dream Group" provides some specific group
methods
for dream sharing using art.
For the individual working alone,
doing creative work
based on dreams is a way
that the power, beauty or
insight of the dream may be shared
with others. The
section of material, "Dreams
and Creative Writing,"
gives some examples. So does the
article, "Dream-
Shields" Another do—it—yourself"
article, "Dream-
language," provides a method for doing dreamwork
in a
personal journal. It also touches on the question of how
to interpret the meaning of "other persons"
encountered
in dreams.
Dreams are shared
in the "Spinning Dream Wheel"
and, of course, in Subscribers' Dreams. The significance
of sharing dreams is discussed in the review of Howard
Schwartz's Dream Journal. This essay
also suggests
how the creativity inherent in dreaming may
provide a
basis for sharing. This theme is also present in
"The Art
of Remembering Dreams" and in "The Dream Poet."
Be sure to
take note of the
"Announcements."
Research projects are forming and your participation is
encouraged. If you don't find the
type of project you
would like to see, please write us about
your interests.
Your active participation is necessary to help
us make
the Journal responsive to your needs and interests.
We
encourage your input. To bring the point home, we have
even offered prizes. (See page 245.)
The aspect of
the Journal that is the
"Sundance
Experiment" seems off to a
good start. Subscribers'
dreams reflecting the nature of the Sundance Community
Dream Journal are proving to be important. Our editors
are counting on you to study these dreams
and send in
your comments for publication.
We hope you enjoy
reading the Journal. Even more,
we hope you find some of it applicable in your life.
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