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creates a fountain of sparks to illuminate our space.
This
dream would later have significance for the
"Sundance
Experiment," but at the time it
was simply accepted as
serving as a symbolic portrayal of
our research ideal,
which in essence stated that the
knowledge resulting
from a research project is one with
the process of the
research itself. We hoped
that the results of our
research projects would provide information
helpful to
people desiring to increase the harmony
in their lives.
We believed, therefore, that the
projects themselves
must be designed so that participation in them would
in
itself also foster such harmony within
each individual
participant, as well as between all of us
involved in the
research dance.
Our first task
was to find out what kind of projects
were needed. We tried to design
a questionnaire that
hopefully would provide a growth experience
for the
people completing it, as well as provide survey
data for
statistical analysis. The resulting
"A. R. E. Research
Questionnaire Workbook" asked people to reflect
upon
their personal values, and to consider whether
various
phenomena and practices might be conducive
to those
values. The questionnaire also asked people to formulate
questions that might suggest
issues for our future
projects.
Of interest here
is the section of the questionnaire
concerning dreams. Here is what
I learned from the
answers as I searched for common themes
upon which
to design a project on dreams:
Dreams were valued primarily as a mode of
education.
Most commonly, people indicated that
they perceived
dreams as helpful in gaining
a greater understanding
about themselves, and in receiving guidance concerning
the resolution of problems. Some also
saw dreams as
presenting useful information about their
environment
and about universal principles operative
in life. Many
answered that dreams provided instructional
material
concerning "other dimensions" of our being.
Consistent with these
views, people wanted to gain
access to the potentialities within dreams. Many wanted
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