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wool carpeting. It covers the whole ground from the walls
of the house out into the surrounding roadway
and even
the gutters of the road. It
has a hooked-in repeating
pattern of a black donkey with the Virgin Mary riding
it.
Then someone in the house turns on a light and the scene
is lit with a soft violet hue like that of
a stage spotlight.
Then it goes out and everything is black again. I can hear
some person in the house moving
around, and things
clinking, but no one comes out.
It gives me an eerie
feeling not to see who it
is. The colors of black and
violet are vaguely disturbing. Finally
I realize it is not
safe outside the house and that if I remain I
will have to
stand with my back to the wall and face whatever clunked
in the darkness. I decide to go
inside instead. Inside I
flick on a light and find that I am on a lower floor and that
the person I can hear is upstairs still clinking
things as if
in preparation for something. The
feeling is that the
unseen person is fixing things for some kind of
welcome
feast but that this person does not want to be revealed
to
me yet. Downstairs is a huge dining
room with a huge
table and next to it an equally huge
kitchen. There was
absolutely no living room or sitting area of any
type. The
idea comes to me that in this way
the occupant of the
dwelling can signify that it is wished
to offer maximum
hospitality and that the social living
could be worked in
around it. For instance, I reason, you could
play a game
like chess in a corner of the huge dining room.
The main
emphasis in that house is
always to be on maximum
hospitality by an unseen host.
( M. M., Alexandria,
Virginia)
(Dream
1) I
get out of a car and approach
a dance
floor. The dance floor is well lighted while everything else
is dark. There are no walls or roof. The floor is
of highly
polished wood, and square. A very tall woman, dressed
in
a bright red, robe-like dress with Aztec decorations at
the
neck, follows me and I wait for her to join me.
When she
draws near, we dance on the floor, close but not touching.
We do a strange dance, with a lot of
knee bending and
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