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I am on a high hill above
a lake, searching for Indian
artifacts. It seems that I am being told about
the culture
which existed in the area during
primitive times. I am
told that the Indians were very advanced in the area of
stone flaking.
I go atop the
hill and find three beautifully crafted
stone trowels or knives. I realize that they are too fine
to
be real, and I must be dreaming.
Taking the stone trowels, I sit
down to meditate facing
east and stick the trowels in the ground, one at
a tune. I
repeat, "The Father, the Son, the Holy Ghost."
At this point... walks by. I
ask "Do you know that we
are dreaming?" She laughs. So I
direct her attention to
the three stone objects on the
ground. In their midst
items of silverware begin to appear spontaneously first
a fork, then a cup. I look at
her face. She is puzzled,
seemingly on the verge of "waking up." I take
the items
away and other objects appear. We begin to laugh
as the
process speeds up. We
are inundated with beautiful
silver objects. Then I awaken ...
This type of lucid dream resembles the first except
that the anomaly or inconsistent
event in the dream
lacks a threatening quality; it is
merely at variance to
what the dreamer knows to be true or
possible. In his
book, Astral Projection (circa 1938), Oliver
Fox calls
this distinguishing awareness, which begins to arise with
greater frequency once it occurs, the "critical
faculty."
This awareness is essentially
the recognition of
inconsistency in the dream.
The development of such a faculty
has had construct-
ive but painful implications for me during
the waking
state, as well. It seems that as lucidity
has developed I
have also become more aware of the inconsistencies in
my waking actions and thoughts; however, the awareness
has hardly been pleasant. I have begun
to realize that
lucidity is only the first step in fully
"waking up," and
that the more difficult step is then accepting
and living
creatively with my faults and inconsistencies.
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